1/21/2024 0 Comments Autumn de wilde metWe have a sort of abstract way of discussing themes, colour, and mood. I really wanted to show the studio, because I’ve always loved those old Irving Penn photos and Avedon photos where you see the backdrop against the whole studio. We’ve been doing this for so many years that our process is very conversational. What was the initial concept behind the shoot?Īutumn de Wilde: Kate and Laura always have a really clear idea of the mood and the direction. Over the phone from Los Angeles, de Wilde took a moment to discuss the new Rodarte lookbook from every angle, including shooting the first published portraits of a pregnant Kirsten Dunst, the art references that inspired the images, and the specific thrill of photographing the women who most inspire Rodarte. It shouldn’t have been possible based on how much, as women, we have to fight to find a place.” “For me, that’s a very important long-term life project – to make sure it’s not forgotten how this started and what they accomplished along the way. Thirteen years into their partnership, de Wilde and the Mulleavys are showing no signs of fatigue: “These two young women have accomplished so much in a world that’s dominated by men,” she explains. Since venturing into film and fashion (she has also directed several short films for Prada), she has continued to lend the same perspective to her work across disciplines: “I have always tried to make everything feel like a scene from a movie,” de Wilde says, comparing her documentary images to hyper-stylised films like the Beatles’ Help! and Michelangelo Antonioni’s Blow-Up. “That’s what I try to give artists, musicians, actors, designers, directors, writers, whoever I’m photographing: permission to theatricalise their life a bit.” We were like, ‘No!’” de Wilde said.ĭe Wilde, the daughter of legendary rock photographer Jerry de Wilde, made her name as a rock photographer in her own right throughout the 90s and early 00s, cultivating close relationships with musicians like Elliott Smith (whose iconic Figure 8 album cover she photographed), Jenny Lewis and her band, Rilo Kiley, Jack White, Beck, and Spoon. Sadly absent was de Wilde’s daughter and Starcrawler frontwoman Arrow: “She was on tour. This season, in lieu of a runway show, she also shot their AW18 lookbook.Ī series of dreamy portraits, rife with art history references and shot over the course of three days, the photographs feature a wide array of artists, including longtime Rodarte collaborators Dunst and Miranda July, musicians Grimes, Kim Gordon, Joanna Newsom, and Chloe and Halle Bailey, actors Rowan Blanchard, Tessa Thompson, and Danai Gurira, and Reese Witherspoon’s daughter Ava Phillippe, in her modelling debut. She shot their very first collection, in 2005, inaugurating a creative collaboration that has encompassed fashion campaigns, backstage photography, and chronicles of their cinematic efforts – including Black Swan, the 2010 Darren Aronofsky psychological drama starring Natalie Portman that Rodarte costumed, and Woodshock, the Mulleavys’ 2017 directorial debut starring Kirsten Dunst. For more than a decade, photographer Autumn de Wilde has been the de facto, if not official, documentarian and image-maker for the Los Angeles-based label Rodarte and its designers, Kate and Laura Mulleavy.
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